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We profile David Fincher’s “Mindhunter” and discuss:

cinematography, and use of color and camera movement;
editing;
writing & storytelling, some of the subtle psychological inserts;
and other such stuff and things and stuff.

“It is a capital mistake to theorize before one has data. Insensibly one begins to twist facts to suit theories, instead of theories to suit facts.“ – Sir Arthur Conan Doyle

Notes & References:
Additional camera movement note: it’s worth saying that keeping a character locked in the frame even in movement keeps us connected and tuned into their mental/emotional state
The Real Story Behind Mindhunter