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We paddle through Eugene & Dan Levy’s “Schitt’s Creek” and discuss:

Cinematography: sitcom lighting;
Story & writing: the setup, the situation and why it works, characters and performances, deep dive into the arc of Alexis;
the Overton window, expanding cultural acceptance of once-provocative ideas;
and other such stuff and things and stuff.

“In the end a film can look lousy but work because of a great performance but not the other way round. That’s something always worth remembering.” – Roger Deakins

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