We react to Christopher Nolan’s “Oppenheimer” and discuss:
- Cinematography, color, black & white, fission vs fusion, IMAX considerations;
- Story & Writing, fast starts, Trinity buildup, final scene;
- Music, and Casting supporting roles;
- and other such stuff and things and stuff.
“The opposite of a correct statement is a false statement. But the opposite of a profound truth may well be another profound truth.“ – Niehls Bohr