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We react to Christopher Nolan’s “Oppenheimer” and discuss:
- Cinematography, color, black & white, fission vs fusion, IMAX considerations;
- Story & Writing, fast starts, Trinity buildup, final scene;
- Music, and Casting supporting roles;
- and other such stuff and things and stuff.
“The opposite of a correct statement is a false statement. But the opposite of a profound truth may well be another profound truth.“ – Niehls Bohr
Notes & References:
Ludwig Goransson discusses scoring “Oppenheimer” (Variety.com)
Trinity Test footage (YouTube.com)
Guys, what a wonderfully ambivalent film – just like its protagonist.
It definitely wasn’t what I expected. Your episode was most entertaining and insightful.
Still flashed from the movie and your episode
Uwe